Miguel Uris (Spain)
Внимание!
С 2025 года в каждом из разделов можно будет публиковать не более трёх композиций ежемесячно от одного автора.
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1...e6 (a) 2.Sxc6+ (A) 2...Kd5 (x) 3.Sxe3# (Z) 2...Kd3 (y) 3.Rc3# (Y) 1...Sd~ (b) 2.Sxc6+ (A) 2...Kd5 (x) 3.Bb3# (X) 2...Kd3 (y) 3.Rc3# (Y) 1…Sc4! (z), 1…Sxb5! 1.Bb3! (X) [2.Rc3 (Y) [3.Sc2#/Sxc6# (A)] 2...Sc4 (z) 3.Rxc4#] 1...Se2 (c) 2.Sxc6+ (A) Kd3 (y) 3.Rd1# (B) 1...cxb5 2.Rd1+ (B) Kxc5 3.Bxe3# (C) 1...exf6 2.Bxe3+ (C) Ke5 3.Sxc6# (A) 1...e2 (d) 2.Sxc6+ (A) Kd3 (y) 3.Rc3# (Y) Cycle of 2nd – 3rd moves (AB-BC-CA)Mates from set play become key and threat of actual play (X/Y)Reversal, in a variant, of 2 – 3 moves of threat (Y/A - A/Y)King Y-flightTransferred continuation (aA - bA - cA - dA)Changed mates (xZ/xX - yY/yB)Black correction (set play)
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